Radical Psychology
Volume Seven, 2008
Post Vietnam
Syndrome: National Identity, War, and the Politics of Humiliation
In a victory speech
following the 1991 Persian Gulf War, President George H. W. Bush
proclaimed it
a proud day to be American. The
president’s speech officially heralded a new structure of feeling in
America,
one more suited to an imperial power’s spectacular reemergence on the
world
stage. It pronounced an official end to the “Vietnam syndrome,” a
malaise that
had presumably stricken the American psyche for over 16 years. The war
had been
the antidote for what ailed us, Bush’s speech assured us, the means to
restore
the nation’s honor and reclaim its rightful status. Americans could
finally
trade in the sackcloth of humiliation for the mantle of pride. By God,
we had
“kicked the Vietnam syndrome once and for all” (Bush,
para. 15).
There are several
problems, of course, with this version of history and with the ways
that the
“we” is constituted in its narrative. This essay is concerned with the
extent
to which Vietnam consistently plays out in popular memory as a
psychodrama of
humiliation, casting America in the role of victim and producing
certain
alignments and associations in the citizenry. Bush’s speech capitalized
on a
set of assumptions that have long dominated public discourse about the
war.
News pundits, filmmakers, and political leaders alike have exploited
the
evocative power of this humiliation tale, invoking its stock characters
and
compensatory themes to elicit predictable responses in target
audiences.
This affective logic binds subjects to
cycles of compensatory violence, fueling
militaristic strains in America’s political culture and setting the
stage for a series of wars and interventions. I hope to show how this
humiliation dynamic structures conflicts in ways that short-circuit the
consideration of peaceful options.
Historians, military analysts, and sundry critics
have
written extensively on the ideological roots of the Vietnam War
(communism,
nationalism); assessed various logistical and military tactics (Nixon’s
“Vietnamization,” Westmoreland’s strategy of attrition); and debated
why it was
lost (media coverage, war protestors, civilian policymakers). Yet there
is
rarely consensus about anything concerning the
War. Perhaps the only conclusion that goes unchallenged is that
Americans
suffered a “humiliating” defeat. Thus columnist David Gelernter (2004,
para. 2) could make
the claim that “virtually all Americans agree” that Vietnam was “a
national
humiliation.” This
assumption forms a kind of conventional wisdom about the war’s
emotional legacy.
Coined
by none other
than Henry Kissinger, the term Vietnam
syndrome has become an integral part of our political lexicon, shaping
attitudes and predispositions more than three decades later. The term
aspires
to a kind of quasi-psychological legitimacy, but actually reflects a
semantic
sleight of hand. The term Post-Vietnam
Syndrome was first used to describe the trauma experienced by soldiers
who
served in Vietnam. Later known as Post-Traumatic
Stress Disorder (PTSD), this condition received attention in 1970 as a
result of work by a handful of psychiatrists, especially Robert Jay
Lifton and
Chaim Shatan, who conducted extensive interviews with Vietnam veterans
suffering from flashbacks, paranoia, and other symptoms of trauma. The
term
“Vietnam syndrome” turns the soldier’s traumatic experience of war into
a story
of national humiliation. [1]
The psychology of
PTSD has been highly politicized, while a ring of scientific
authenticity has
masked the politics of the Vietnam syndrome. [2] No
longer signifying a
nation, “Vietnam”
functions as metaphor for America’s humiliation. This trope has served
US presidents from Richard Nixon to George W.
Bush, each of whom has relied on its compelling themes to garner
support for
military interventions and “pre-emptive” strikes. It frames America’s
political
rhetoric whenever leaders seek to stifle political dissent at home,
“harden”
national borders, or rally nationalistic strains in the American
character. Recalled
in this way, the legacy of Vietnam becomes a story about “our”
humiliation,
about the “wrong” committed against us.
As Vietnam vet W.D. Ehrhart (2001)
aptly remarked on NPR's “Talk of the
Nation”: “You know, the Vietnam War, we imagine it's this thing that
happened to us when, in fact,
the Vietnam War is this thing we did to them.”
This interpretation influences
agents in the present, shaping not only how individuals appraise their
nation’s history but also how leaders articulate and respond to current
security threats. Just as
personal memory is filtered through experiences, “official” or
sanctioned state
memories are adapted to meet prevailing cultural and political
exigencies. As Hill and Wallace have argued, “Effective
foreign policy rests
upon a shared sense
of national identity, of a nation-state's ‘place in the world,’ its
friends and
enemies, its interests and aspirations. These underlying assumptions
are
embedded in national history and myth, changing slowly over time as
political
leaders reinterpret them and external and internal developments reshape
them.” (1996, p. 8)
Political attitudes are formed within a cultural
context and
their prominence and legitimacy are dependent on how broadly they are
shared at
a particular time. Leaders select and circulate cultural narratives
that
enhance and promote a favorable national self-image. These
stories serve as
a critical mechanism of influence at various levels, articulating both
cultural
and individual psychological processes and providing a system of
orientation
for self-reference and action (Ross,1997).
Myths and stories are symbolic structures that help forge collective
values as well as individuals’ conceptions about their role in the
world. They
thus provide a psychological frame of reference in international
relations
(Prizel 1998; Katzenstein, 1996). As
Ignatieff puts it,
“National
identity is not fixed or stable: it is a continuing exercise in the
fabrication
of illusion and the elaboration of convenient fables about who ‘we’
are” (1998, p. 18).
Sometimes a nation’s
myths are the soil in which seeds of violence take root. They shape the
nation’s
political culture, forming part of “the attitudinal and behavioral
matrix
within which the political system is located” (White,
1979, p.1).
Emotions play an integral role in this process,
for as Sarbin (1986) has theorized,
they
represent role enactments that are integral to our political and social
dramas. In his view, emotional acts cannot be discarded as irrational
or
anarchic because they follow a social logic that dictates and justifies
a
course of action. “Anger roles, grief roles, jealousy roles and so on,”
Sarbin
points out, “are enacted to further an actor’s self-narrative; and
self-narratives, like other stories, follow a plot” (1986, p.
91). The
logic is the plot of the story, and
actors perform according to its conventions, which “provide a basis for
retrospectively criticizing emotional acts as appropriate or stupid,
justifiable or unreasonable, foolish or wise” (Sarbin,1986, p. 91).
Stories about America’s
humiliation have circulated widely through popular lore and familiar
images.
They often play out through Hollywood film stereotype of the Vietnam
veteran,
whose wounded body and psyche sign for the nation’s crisis of
honor.
Spat upon by ungrateful anti-war protestors,
lied to by their presidents, shackled by the policies of civilian whiz
kids in
Washington, America’s protagonists in these tales form a sad cast of
dishonored
men, defeated warriors, forgotten sons and husbands. Vietnam veterans’
memoirs
further chronicle this emotional legacy, bearing witness to the
dishonor that
haunts warriors from a mighty nation defeated by small men in “black
pajamas.” [3] These images
and stereotypes have shaped the nation’s popular memory
over time
and become fodder for its war machinery.
America’s stories
about Vietnam attempt to link the war’s effects into a comprehensible
and
reassuring framework. As Nigerian writer Ben Okri (1997) points out,
when we
turn a traumatic experience into a story, we transmute it, make sense
of it,
and domesticate the chaos. The Vietnam syndrome is a cultural narrative
that
“domesticates the chaos” by attributing culpability and accountability,
imposing a causal logic onto an otherwise disorienting, violent event.
As
national myth, its function is to “conceal the reality of painful or
perplexing
historical situations and to provide illusory but emotionally
satisfying
solutions for real problems” (Slotkin, 1996,
p. 561). The syndrome thus
serves
a political function, constituting subjects within prevailing
discourses of
war, identity, and nationhood. Distilling a complex emotional landscape
into an
index of familiar images, dramatic episodes, and iconic figures, it
elicits
sympathetic identifications, dissolving the boundaries between personal
experience and historical occurrence.
This fusion
of public and private memories works to dissolve boundaries, as the
slide from
the “I” to the “we” involves “both adherence (sticking to the nation)
as well
as coherence (sticking together)” (Ahmed, 2004,
p. 111). Diane
Margolis argues that emotions involve the “constant construction,
repair and
destruction of boundaries around each image of self” (Margolis, 1998,
p. 133).
They enable us to negotiate our identities and relationships with
others, to
articulate social boundaries by enacting certain roles in life. Sara
Ahmed
(2004) extends this idea to argue that
emotions align us as subjects
with and
against others, securing relationships between bodies and actually
inscribing
borders and surfaces. Emotions are not “in” the individual or the
social, they
are an effect that allows us to distinguish an “inside” and an
“outside” in the
first place, to “produce the very surfaces and boundaries that allow
the
individual and the social to be delineated as if they are objects.”
These
transactions of displacement and difference mediate the boundaries
between bodily and social space, structuring “affective
economies.” Ahmed suggests that “it is through emotions, or how we
respond to
objects and others, that surfaces or boundaries are made: the ‘I’ and
the ‘we’
are shaped by, and even take the shape of, contact with others” (Ahmed,
2004, p. 10).
Our
identification with the nation as humiliated protagonist dissolves the
boundaries we imagine exist between private and public spaces,
stripping us of
the illusion of impermeability or autonomy. The experience invokes the
subject’s need to act, even if wrongly, to reclaim agency and
sovereignty.
As a basis of national feeling, humiliation or its perception
exacerbates
collective feelings of
vulnerability or powerlessness in the citizenry. It can lead to brutal
retaliations and mass bloodshed, triggering cycles of violence that can
persist
for generations. Social psychologist Evelin Gerda Lindner argues that
when a group is convinced
of their humiliation, “Terror, war, and genocide can result if this
belief is
fed by ‘humiliation entrepreneurs’ who exhort their followers to exact
revenge
with grand narratives of humiliation and retaliation” (Lindner, 2006,
p.
xv).
Yet official
versions of the Vietnam Syndrome tell us that Americans had not been
spurred
into violent retaliation as a result of our “humiliating” defeat. We
had not
sought new enemies or become entangled in cycles of violence that
follow in
humiliation’s wake. Instead, Americans had fallen victim to a
debilitating
“syndrome” of passivity and weakness. Humiliation had made us “soft,”
afraid to
wield our power or influence on the world stage. The post-Vietnam
generation
presumably suffered from what Norman Podhoretz (as cited in Morgan, 1996) diagnosed as a
“sickly
inhibition against the use of military force” (p. ***) Similarly,
Ernest
Lefever (1997,
p. A1) blamed the Vietnam syndrome on our “culture of shame, guilt and
self-flagellation,” which presumably “paralyzed America from using
military
force abroad.” William Safire, President Nixon's speechwriter during
the War,
revived this narrative in a 2001 New York
Times piece, referring to the Vietnam syndrome as “that revulsion at
the
use of military power that afflicted our national psyche for decades
after our
defeat” (“Syndrome returns,” para. 4).
The syndrome’s
symptoms are widely known and accepted as common knowledge: a breakdown
of
national will, a loss of confidence, and an unwillingness to engage in
protracted conflicts abroad. This narrative identifies Americans’
aversion to
war as a sign that America had been feminized by defeat, turned into a
nation
of wimps and pacifists.
Americans’ refusal
to exert our will through the use of military force is pathologized as
a
“sickly inhibition.” A collective distaste for invading other nations
is
interpreted not as a symptom of the toxicity of violence or as proof
that a
taste of it encourages organisms to avoid it. Instead, this national
saga
establishes a causality that makes violence reasonable, moral, and even
inevitable. It relies on metaphors of softness, permeability, and
passivity,
which shape the interpretive judgments we draw from the event.
Metaphors
of “softness” attributed to nations draw on
gendered associations, for as Ahmed (2004)
has argued, a “soft” nation
is “too
emotional, too easily moved by the demands of others.” This gendered
metaphor
invokes a need for “harder” borders, for a national body that stands
ready to
strike, to act -- preemptively if need
be -- to restore or maintain dominance.
A
society’s “intensities of feeling” must be examined in the context of
the
“power geometries” that structure its affective predispositions
(Tolia-Kelly,
2006, p. 213). The word “humiliation,” rooted in the Latin humus or
dirt, denotes a “putting
down,” a spatial metaphor that links the concept etymologically to
existing
hierarchies: we understand what it means to be “put down” because we
know which
qualities,
values, and roles are ascribed a “higher” place and which are
identified as
subordinate, inferior, or undesirable. America’s status as a
superpower,
its founding myths of exceptionalism, its military supremacy, and the
confidence with which its citizens rank theirs the “best” economic and
political system on earth -- all rank the nation within global power
geometries.
Americans’ collective self-image is deeply implicated in these power
differentials, in the ways we imagine ourselves vis-à-vis other
nations. As
Doreen Massey argues, “the identity of a place does not derive from
some
internalized history. It derives, in large part, precisely from the
specificity
of its interactions with ‘the outside’” (Massey,
1994, p. 169).
Claudia
Seymour (2003) explains that identity
and self-perceptions provide the lens
through
which one views others. While identity is a fluid concept, Seymour
argues that
conceptions of identity influence the process of conflicts and should
be
examined when investigating the origins, management or prevention of
violence.
David
Kaiser points out in American Tragedy
that, “In the early 1960s, the
government of the United States probably enjoyed more prestige than at
any time
during the twentieth century” (Kaiser, 2000,
p. 1). This high degree of
status
not only informed popular attitudes towards the enemy, but also shaped
decision-making at the highest levels of our government. Kennedy,
Johnson, and
Nixon each grappled with the options available to a great nation facing
an
adversary deemed in all ways “inferior.”
America’s prestige, which Secretary of State Dean Acheson called “the
shadow cast by power,” had substantive effects (quoted in Sheehan,
1989, p.
443). Perceptions of power distribution
or relative positioning can undermine
efforts to negotiate nonviolent solutions to conflicts.
For example, American arrogance had a
demoralizing effect on South Vietnamese soldiers from the outset, as it
predisposed military and civilian
leadership to expect an easy win without Vietnamese participation. John
Paul
Vann’s reference to our allies as “ridiculous little Oriental play
soldiers”
reflected an attitude that had a detrimental effect on South Vietnamese
morale
and motivation (Sheehan, 1989, p. 512).
This power differential also
made conciliation unlikely, as Kennedy’s
attempts to find out if any compromise was possible for the “dangerous
mess” he
inherited were immediately decried as “appeasement” (Kaiser, 2000, p.
101).
Michael Lind argues that “in the aftermath of the humiliations in Cuba
and
Germany, the Kennedy administration felt compelled to demonstrate U.S.
resolve
in the Indochina theater of the Cold War” (Lind,
2002, p. 13).
This need to
avoid being seen as “soft” also played a role in LBJ’s
war-policies. In Johnson’s
affective script, one must act aggressively or face humiliation. “If
you let a
bully come into you’re your front yard one day … the next day he will
be
up on
your porch and the day after that he will rape your wife in your own
bed” (as cited in Logevall, 2001, p.
393). Thus
in March of 1965, John McNaughton, Secretary of Defense Robert
McNamara's top
aide during the Vietnam War, summarized the Johnson administration’s
reasons
for intervening
in Vietnam. His report shows that the dread of humiliation shaped
Johnson’s
decision-making more than the desire to spread democracy or even the
fear of
communism. The reasons for escalating the war were prioritized as
follows: 70%
to avoid a humiliating blow to our reputation, 20% to keep this area
from
China, and 10% to bring the people of South Vietnam a better, freer way
of life (as cited in Harrison
and Mosher, 2007). After Johnson’s massive bombing campaign,
Operation Rolling
Thunder, failed to subdue North Vietnam, McNaughton made the
administration’s
primary objective clear: “The situation in Vietnam is bad and
deteriorating," he wrote. “The important aim now is to avoid a
humiliating
U.S. defeat” (as cited in Sheehan, 1989,
p. 535).
Publicly,
LBJ would profess America’s
unquestionable superiority as he deployed the first combat unit of
marines to
Vietnam in 1965, assuring us that “America wins the wars she
undertakes, make
no mistake about it” (“Remarks,” para. 37). Logevall (1999, p. 393) has
argued that,
“What [Johnson] really feared was the personal humiliation that he
believed
would come with his failure in Vietnam. He saw the war as a test of his
own
manliness . . . In [LBJ’s] world there were weak and strong men; the
weak
men were
the skeptics, who sat around contemplating, talking, criticizing; the
strong
men were the doers, the activists, the ones who were tough and always
refused
to back down” (Logevall, 1999, p. 393).
Blema Steinberg’s Shame and Humiliation:
Presidential Decision
Making on Vietnam (1996) is the only
extended study of Vietnam to date
that
explores humiliation as motivating factor in both the Johnson and Nixon
administrations. Steinberg argues that both leaders exhibited
narcissistic
personalities which made them highly susceptible to shame and
humiliation.
“Since the personality of political leaders can have such a profound
impact
upon the policies of their states,” Steinberg contends, “we need to pay
much
greater attention to that factor. Cognitive abilities may be important,
but, if
highly charged emotional states colour leaders’ perception of their
environment, the outcome will be policies that reflect that bias to the
detriment of more reasoned choices” (Steinberg,
1996, p. 309).
Describing the men’s
personal and professional backgrounds in some detail, Steinberg goes on
to suggest
how their conduct of the War reflected the need to restore self-worth,
seek a
“vindictive triumph” and avoid “losing face” at all costs. As Steinberg
points
out, “Narcissistic personalities may favour aggressive foreign policies
to
avoid shame and humiliation for failing to act (Johnson in 1965) or
after they
have been shamed and humiliated (Nixon 1969-70) [Steinberg, 1996, p.
308]. For Johnson and Nixon, Steinberg argues, “the
humiliation of dependency, the humiliation of defeat” represented the
“ultimate
degradation” (Steinberg, 1996, p. 14).
Steinberg’s
analysis of personal memoirs, letters, declassified documents and memos
offers
compelling evidence of both men’s extreme vulnerability to humiliation.
Ironically, the
dread of humiliation helped get us into Vietnam, but it was the promise
of
honor that provided an exit strategy. Nixon’s mantra, “peace with
honor,” would
be used to justify the loss of thousands more lives. In a 1970 speech
justifying the escalation of the war into Cambodia, Nixon implied that
by
failing to act aggressively, America would be seen as “a second rate
power.”
Thus he assured us, “[W]e will not be humiliated. We will not be
defeated”
(Nixon, 1970, “Speech on Cambodia”). As
late as 1972, Nixon’s decision to
mine the
harbors of North Viet Nam and cut off the flow of supplies to Hanoi,
(which Time
called the “most momentous military decision” of his presidency), was
said to
have grown “out of an almost obsessive fear of national and personal
humiliation in Viet Nam” (1972, “Nixon at
the brink,” para. 3).
The more dependent
we are on the valuations of others for our own psychic health, the more
vulnerable we are to the coercive force of humiliation. It seems
logical to
assume that individualistic cultures would produce subjectivities less
susceptible to the approval or opprobrium of others, less concerned
with
maintaining a prescribed “public face” at all costs. Underlying this
assumption
is the understanding that in “traditional” societies, where rigid
“honor” codes
are a central feature of social and political life, the dread of public
humiliation is more acute than in “modern” individualistic nations like
the
United States. William Ian Miller (1993)
and others have noted that
honor
societies employ humiliation as part of a local system of order, using
the
process to distinguish the honorable from the dishonorable. Honor codes
organize and enforce a society’s values; they script “appropriate”
group
behaviors. In such contexts, one’s worth is often measured by the
judgment of
one’s enemies.
Americans are
therefore likely to come across news articles and commentaries about
humiliation as motive in fundamentalist, anti-modern “rogue nations”
considered
enemy states. Political pundits are quick to ascribe humiliation a
central role
in honor-based Middle East societies, downplaying its role in the US.
Researchers have also pointed to links between Arab or Muslim groups,
violence,
and humiliation. For example, Neil Altman (2004)
has noted the dominant
role that humiliation plays in the Palestinian and Israeli conflict. He
argued
that psychologically, people fight to avoid “the humiliation of being
crushed,
overwhelmed by force, and threatened with psychological annihilation.”
In the
Middle East, Altman concluded, it is not “kill or be killed” but
“humiliate or
be humiliated.” Similarly, Shibley Telhami (2003),
Senior Fellow at the
Saban
Center for Middle East Policy, has suggested that “militancy in the
Middle East
is fueled not by the military prospects of Iraq or any other state but
by a
pervasive sense of humiliation” (para. 3).
Most Americans would
explicitly reject the notion that what others think or say about us is
worth
killing or dying for. An American husband who murders his unfaithful
wife
because her deceit humiliated and thus dishonored him is unlikely to be
exculpated in a court of law. And though our legal systems do employ
humiliation as an aspect of punishment -- posting the names and photos
of
sexual
predators online, conducting cavity searches on unruly inmates,
etc. -- Americans
long ago gave up town square hangings and public stoning. But
even the most “modern” nations will
endorse or commit acts of violence to save face, attributing
“irrational”
behaviors to their enemies while judging their own extreme actions as
both
necessary and just.
In “mainstream” US
culture, humiliation does not overtly serve as legal or practical
justification
for violence, yet it is no less instrumental when wedded to notions of
honor.
In this setting, the concept has, in Miller’s words, “hidden its face,
moved to
the back regions of consciousness” (Miller,
1993, p. x). The
nation’s historical supremacy, often
narrated as a mandate from God, makes any potential loss of honor or
influence
all the more threatening. America’s dominance among a hierarchy of
nations
correlates with the high degree of patriotic pride that Americans
express as a
people. We take pride in the supremacy of our democratic system of
government,
conceive of ourselves as a fair-minded, egalitarian people, and assume
that the
“American way of life” has almost universal appeal. Our enabling
fictions
preserve and warrant this self-image, extolling the virtues of our
uniqueness,
superiority, and moral authority. These preconditions make the
preservation of
status and honor figure prominently in our national ego.
But do these
attitudes also foster a proclivity towards violence? As motive and
impetus for mass violence, humiliation is
intimately bound to the vestiges of honor societies. In
these social settings, male honor has to be consistently won,
reclaimed, and
displayed. Miller’s analysis of the Icelandic sagas, for example,
demonstrates that in these social settings humiliation was strictly
understood as a violation of masculine
honor and figured “prominently in social and psychic mechanisms of
control”
(1993, p.148). Miller’s study reveals a
people who cared “with the totality of
their
being about the figure they cut and about the respect they elicited.
These
people could not contemplate self-esteem without the esteem of others”
(Preface). Honor codes uphold rigid norms of reciprocity. Miller shows
that
humiliation functions in these cultures as a kind of “negative gift”
that
demands repayment. “Honor, humiliation, and the obligation to pay back
what one
owes,” Miller concludes, are “inextricably bound up with violence”
(1993, p. xi).
To date, studies of
the relationship between honor, humiliation, and violence in the US
have
focused on “subcultures” such as gangs, Mafiosi, etc. or on the
violence
proneness of the American South (Nisbett and Cohen, 1996; Wyatt-Brown, 2001).
Bertram Wyatt-Brown, for example, has shown that the ideal of "Southern
honor" helped shape the rationale for the American Civil War. In the
antebellum South, honor “reinforced hierarchical conceptions of society
and
guided much public behavior. It assumed and required patriarchal rule
within
the family and a corresponding deference among women, as well as fierce
family
loyalty and resentment of all insult.” Wyatt-Brown notes that the
greatest
dread imagined by adherents of honor was "the fear of public
humiliation." The ethics of honor were reflected in a social order that
valued rituals of violence and shaming: charivari, dueling, and lynch
law. Wyatt-Brown (2005)
has
further argued that
the emotional defense of honor’s principles continues with special
emphasis in
the military culture of the United States.
The more that a
social group overvalues pride as a sign of self-respect and worthiness
the more
dreaded is the stigma of public humiliation. Maintaining a positive
self-image
is crucial to a citizenry weaned on myths of exceptionalism. It
structures our
“affective economies,” forging identifications and boundaries that link
American identity to Biblical stories of a “chosen people” or a
“redeemer
nation” charged with saving the world. When this high opinion of
ourselves is
disputed or challenged by some external group, our leaders will soothe
our
wounded egos by claiming that others are simply “jealous” of our wealth
and
freedom; when such criticisms come from within -- as is often the case
in
a
vibrant democracy -- dissenters are dismissed as “un-American.” [4]
While the myth of individualism endures sufficiently to shape our
personal
belief in democracy and equal opportunity, our foreign policies express
an
elitist streak. We have shown a proclivity to endorse violence aimed at
preserving the nation’s superior power or prestige.
Seymour Feshbach
(1994) proposes that two principal
attitudes predispose citizens to
war:
the first is patriotism, which he explained
in terms of emotional attachment and pride. The second is nationalism,
defined
as a belief in the superiority of one's nation over others. Both of
these
attitudes correlate with militaristic attitudes.
Baumeister, Smart, and Boden (1996) contend that “aggression
emerges
from a particular discrepancy between two views of self: a favorable
self-appraisal and an external appraisal that is much less favorable.”
Despite
the popular notion that low self-esteem causes violence, in their view
an
inflated belief in the self's superiority is more likely to trigger
violent
group responses: the “most severe violence occurs when a group
perceives that
its superior position is being eroded or threatened by the rise of a
rival
group” (Baumesiter et al,
1996, p. 26).
These researchers point out that “violent, aggressive, and criminal
groups tend to share beliefs in their own superiority, ranging from the
‘man of
honor’ designation of Mafia initiates to the ‘master race’ ideology of
the
Nazis” (1996, p. 26).
Throughout our history the myth of
American exceptionalism has been called on to rouse the national will,
provoke
a sense of shared purpose, or justify war.
Just as it founded the first settlers' claims to the land and granted
them moral authority over native peoples, it founds an enduring set of
moral
and political assumptions. Thus Woodrow Wilson could claim with
conviction that
the United States had been “chosen, and prominently chosen, to show the
way to
the nations of the world how they shall walk in the paths of liberty”
(Wilson,
1978, p. 443). Similarly, Secretary of State Madeleine Albright,
describing
America's role in the world almost a century later, could declare with
equal
measure, “We stand tall and therefore we can see further…. we are the
United
States, and we are the indispensable power” (Albright,
1998). And so it
is that Donald Rumsfeld (2002)could
defend our invasion of Iraq by quoting Thomas Jefferson, boldly
asserting
that Americans “act not for ourselves alone but for the whole human
race” (“US Air
Force Academy Speech”).
News commentators
indulge in similar pronouncements, with influential journalists such as
William
Kristol and Robert Kagan asserting the need for the US to exercise a
“benevolent global hegemony” based on "moral supremacy and moral
confidence” (as cited in Bacevich, 1998).
A
belief in our own righteousness is
so deeply engrained in us as a people that we rarely express moral
qualms about
breaking the very rules that we expect other nations to follow.
It
is not surprising that among the 41 to 65
countries covered in each of the World Values Surveys of 1981–82,
1990–91, and
1995–96, Americans ranked first in national pride (Norris, 1999).
After 9/11 the intensity of this self-love
was even more pronounced. A University
of Chicago National Opinion Research Center survey of 34
countries, released June 27, 2006, found that the US ranked first in
terms of
overall national pride in their
democratic system, their political influence in the world, their
economy, their
achievements in science and technology and their military (Miller,
2006).
Political
leaders rarely acknowledge the prominent role that ego plays in their
decision-making. [5] By
playing on
the national ego, leaders exploit the myth of war as curative. Reagan
repeatedly drew on the memory of America’s humiliation as a means to
justify
foreign military interventions and invasions. “America is back,
standing tall,
looking to the 80's with courage, confidence, and hope,” Reagan told us
after
another presumably righteous war -- our invasion of the tiny island of
Grenada
(Reagan, 1984). Reagan’s remark that the
Vietnam War was fought for “a
noble
cause” had a similarly palliative effect on the nation’s wounded pride.
He
would announce his re-election campaign four days later and win in a
landslide.
Also consider how this theme played out in Richard Nixon’s, No More
Vietnams
(Arbor House, 1985) where he praises Reagan for exorcizing the
“ghost
of
Vietnam,” claiming that “Since President Reagan took office in 1981,
America's
first international losing streak has been halted.”
The need to redeem the national
ego has been a dominant theme in American politics. In 1975, as a
bloody battle was raging and Saigon was being overrun, President Gerald
Ford
delivered a speech aimed primarily at assuaging America’s wounded ego:
“Today,”
Ford assured us, “Americans can regain the sense of pride that existed
before
Vietnam.” Harking
back to the War of 1812, Ford heartened his audience by noting that “We
had
suffered humiliation and a measure of defeat” until “the illustrious
victory in
the battle of New Orleans” served as “a powerful restorative to
national
pride.” Ford reassured Americans that the time had come to look toward
the
future, “to unity, to binding up the nation's wounds and restoring it
to health
and optimistic self-confidence” (“Speech on the Fall of
Vietnam”). Interestingly, the subject of this narrative suffers not as
a result of
direct experience (such as surviving carpet bombings, chemical warfare,
or the
destruction of major cities) but from the loss of status and
self-esteem.
Donald Goellnicht
reminds us that "Subject positions are not the result of essential
determinants but are culturally produced (in relation to other
positions) and
socially learned, a complex and continuous process" (Goellnicht, 1996,
p.
340). The Vietnam syndrome is cultural myth that
relies on a splitting of the American subject into antagonistic
roles -- victims
and perpetrators. Critics of America’s policies (those who would accuse
our
leaders of arrogance) are set in contradistinction to “patriotic”
Americans
(those who would reclaim America’s righteous status in the
world).
Such dissociation invokes a strategic
movement away from past indignity and towards a mutual recovery of
pride. The
revitalized subject that this narrative hails into being is forged in
the
distance between these imagined selves: one mired in self-doubt, the
other
aligned with agency and power. Two framing emotions, humiliation and
pride,
align this subject with the national self: “we” are invited to feel the
sting
of our humiliation, to recall the memory of our dishonor -- only to
further
enhance the experience of pride that leaders aim to evoke.
Pride,
Patriotism, and the Gulf I Redemption
“If
shame is the consequence of not living up
to what we ought to, then humiliation is the consequence of trying to
live up
to what we have no right to.” -- William Ian Miller
The nation had yet another
opportunity to bind its fractured ego with a military victory in the
Gulf War. Like Vietnam, Gulf I brought war into our
living rooms, but this time managed as a visual testament of American
supremacy. As the first so-called “television war,” Vietnam signaled
new
relationships in the process of postmodern war making. It marked the
dissolution of clear boundaries -- between combatants and civilians,
“secure”
territories and “free-fire” zones, but also between direct experience
and
mediated sensation. Vietnam produced iconic images of horror and
defeat -- body
bags and Zippo raids and massacred civilians, Hueys hovering on
rooftops
loading terrified evacuees then hastily withdrawing. These images
framed
collective memories of the war, positioning the American spectator as
the
subject of a compelling tale of national humiliation.
Gulf I would be
different. This time, to borrow a line from Rambo, we got to win.
Historian
Gerald Linderman notes that following the “humiliation” of Vietnam,
“Gulf War
seems a model of clarity and success, a war portrayed as being fought
with the
most efficient weapons and greatest resolve against the vilest of
villains”
(quoted in Bookman, 2003, p. A19). President Bush and his scriptwriters
turned
Desert Storm into an epic tale of redemptive violence. The “enduring
justice”
exacted by the American military on Saddam Hussein’s Republican Guard
was
justified as “payback” for our humiliation in Vietnam, a cultural myth
that
leaders roused and exploited. The war unfolded in political speeches
and media
accounts as the antidote for our humiliation, the “good war” we needed
to
restore our national pride. Indeed, mainstream media accounts turned
Gulf I
into the best kind of war for American audiences -- distant, quick, and
sensational -- a virtual spectacle of US technopower. Ironically, our
victory over
a small Middle East country in the throes of economic and social
deterioration
would serve to blot out the memory of our defeat by what Johnson had
called a
“fourth-rate, raggedy ass little country” (as cited in Tuchman, 1984,
p. 321).
Sporting a catchy
title and combining the evocative power of Hollywood spectacle and
Washington
rhetoric, “Desert Storm” played out as a saga of righteous retribution,
a
visual testament of the nation’s supremacy. It elicited the kind of
thrilling
catharsis that Americans have come to expect from action flicks and
television
wars alike. The loss of life for our side was minimal, and television
images of
Iraqi soldiers retreating in terror provoked more glee than
sympathy. [6] Herbert Kelman (1995)
rightfully argues that
Americans’ jubilant mood of self-glorification during and after Gulf I
is
disturbing for its moral implications, as “a decent national reaction”
to mass
bloodshed should be one of sadness or regret at the human costs of
war -- “not one
of pride and self-satisfaction” (p. 127). Noting the
citizenry’s patriotic euphoria in
the face of such spectacular military dominance, humorist Lewis
Grizzard was
moved to remark that Americans should celebrate "a national day of
gloating." Television and film media would help stage and manage
the
event: “Formulated like a World War II movie, the Gulf War even ended
like a World
War II movie,” wrote Neal Gabler, “with the troops marching
triumphantly down
Broadway or Main Street, bathed in the gratitude of their fellow
Americans
while the final credits rolled” (Gabler, 1991).
Of course, this
official tale is not the only one available to us. War photographer
Peter
Turnley’s pictorial record of Gulf I stands as one testament against
this
spectatorial fantasy of war. “This past war and any one looming,”
Turnley
writes in the introduction to his collection, “have often been treated
as
something akin to a 'Nintendo game'. This view conveniently obscures
the vivid
and often grotesque realities apparent to those directly involved in
war. As a
witness to the results of this past Gulf War, this televised, aerial,
and
technological version of the conflict is not what I saw…” (Turnley,
2002).
Turnley’s refusal to interpret events through the lens of a narrative
that
justifies an unnecessary war, positions him as a witness who forces us
to see
the human face of the enemy. The devastation he witnessed was embodied,
the
cost of war exacted on the bodies of men, women, and children.
Turnley’s
photographic testimony compels us to recognize the human cost of this
“enduring
justice”; the spectator finds it difficult to take vicarious pleasure
in this
victory, as here the enemy has a face and civilian casualties cannot be
easily
discounted as collateral damage.
When groups or
nations are forced to recognize the humanity of their enemies,
witnessing
serves to produce competing moral visions and appraisals. Most
importantly,
recognizing the other’s status as “worthy” victim can move subjects
toward the
experience of shame. Unlike humiliation, which entails a response
directed
against an external object, shame involves “a reflection upon the self
by
the self” (Miller, 1996, p. 42). In other words, we believe we deserve
our
shame because of some moral failing or lapse in judgment, but
humiliation never
entails a victim’s culpability. While we own our shame, we can feel
humiliated
without having done anything to warrant censure or blame. It is
therefore not
surprising that the Vietnam syndrome has played such a critical role in
deflecting feelings of shame or guilt
in the citizenry.
By invoking the
logic of humiliation, the story of Vietnam works to deny the shame that
might
otherwise take shape in the nation’s conscience. As victim, this
subject
is constituted as innocent and thus spared accountability or blame for
negative
outcomes. The well-intentioned victim of this tale bears no moral
responsibility
for the nation’s actions in Vietnam -- or for the deaths of over 58,000
American
soldiers and 3 million Vietnamese
civilians. Thus Nixon rejected
the possibility that the US should feel any shame as a result of our
actions in
Vietnam or because of the chaos that followed our retreat: “Of
all the myths about the Vietnam War, the
most vicious one is the idea that the United States was morally
responsible for
the atrocities committed after the fall of Cambodia in 1975.”
Similarly, after
the disclosure in 2001 that American soldiers had massacred
civilians at Thanh Phong
during a mission in 1969, influential writers like William Safire moved
quickly
to deflect any sense of shame or accountability. Assuming a sermonizing
tone of
righteous anger, Safire asks, “Are there no voices left, after that
costly loss
of life, to reject the Syndrome's humiliating accusation of national
arrogance -- and to recall a noble motive?”
Shame compels the self to recognize another’s
moral legitimacy. Internalizing blame, it undermines
the kind of retaliatory impulse leaders seek in garnering support for
war. Thus questions about the rationale for waging
war or the cost of victory must always be averted, as these may induce
subjects
to identify with the “wrong” victim and to confront ensuing feelings of
shame.
The denial of shame in a community, Thomas Scheff argues, leads to its
coded
expression. Shame conceptions emerge as narratives of honor,
humiliation, and
revenge (Scheff, 1994). In nations that
have suffered military defeat,
“stab in
the back” myths emerge as a defense against shame. Defeat functions in
these
myths as a “dramatic signal of unworthiness or inadequacy. The
stab-in-the-back
legend is a justification of self or group: It is not our fault, we are
worthy,
but we were betrayed. When such a falsehood is enshrined as official
history,
it can be an emblem of complete denial of shame in a society as a
whole”
(Scheff, 1994, p. 140).
In the US, the
Vietnam syndrome incorporates the stab-in-the back myth as a way to
secure the
nation’s positive self-image. Deflecting attention from leaders’
misjudgments
or policy decisions and towards those who opposed them, the
stab-in-the-back
motif reassures the body politic, as Nixon did in 1969, that only
Americans can defeat or humiliate the United States”
(Nixon, “Silent Majority Speech”). Kevin
Baker (2006) suggests that the stab in the
back myth “has been the
device by
which the American right wing has both revitalized itself and
repeatedly avoided
responsibility for its own worst blunders. Indeed, the right has
distilled its
tale of betrayal into a formula: Advocate some momentarily popular but
reckless
policy. Deny culpability when that policy is exposed as disastrous.
Blame the
disaster on internal enemies who hate America.”
This narrative
conjoins two important myths: that America is “omnipotent and incapable
of
defeat and that any war the U.S. engages in must be noble and heroic.
Therefore, if America is defeated, traitorous elites -- craven
politicians,
un-American punks, degenerates, longhairs, pinkos and agitators, and
the
cowardly elite media -- must be to blame” (Baker,
2006). It reconciles
the
cognitive dissonance resulting from the clash between America’s myths
of
invincibility and the reality of defeat. Thus Mark Stein (2004)
could
remark in
a news piece that "The only relevant lesson from Vietnam is this:
then, as now, it was not possible for the enemy to achieve military
victory
over the US; their only hope was that America would, in effect, defeat
itself." Similarly, Colonel Harry
Summers, in his widely respected and often cited analysis of the
Vietnam War,
attributes America’s loss to the breakdown of national will, as “by
every
quantifiable measurement there was simply no contest between the United
States,
the most powerful nation on the face of the earth, and a tenth-rate
backward
nation like North Vietnam” (Summers, 1995,
p. 18).
The Wages of Humiliation: Humility or
Hubris?
“George
W. Bush promised us a foreign policy
with humility. Instead, he has brought us humiliation in the eyes of
the
world.” Al Gore, May 26, 2004
Throughout
his 2000 presidential campaign, George W. Bush invoked humility and
compassion
as the defining virtues of his political vision, eschewing the
arrogance of
nation building and interventionist foreign policies. In
a 2000 presidential debate, Bush the candidate rejected an arrogant
foreign
policy, defining himself as a “compassionate conservative.” “If we are
an
arrogant nation,” he said, “they will resent us. If we're a humble
nation, but
strong, they'll welcome us.” His 2004 State of the Union address used
the word
“compassion” four times -- first in reference to his faith-based
initiative and
then as the basis of his foreign policy:
The qualities of courage
and compassion that we
strive for in America also determine our conduct abroad. The American
flag
stands for more than our power and our interests. Our founders
dedicated this
country to the cause of human dignity, the rights of every person, and
the
possibilities of every life. This conviction leads us into the world to
help
the afflicted, and defend the peace, and confound the designs of evil
men.
Conservative
news magazines praised Bush’s turn towards humility. For example, World
Magazine, a conservative Christian publication, embraced Bush’s
messianic
vision, quoting White House official Tim Goeglein saying, “I think
President
Bush is God's man at this hour, and I
say this with a great sense of humility.” Similarly, the conservative
news
magazine, Insight on the News,
celebrated Bush’s “humility,” which in
their view augured a more sophisticated foreign policy approach
(Detmer,
2001). The writer goes so far as
to proclaim humility a Bush family “ideal that has been engrained in
the whole
family: Those who are privileged and fortunate have responsibility and
duty
thrust upon them, but they don't have to be superior about it.”
Is it our leaders’ humility that invokes
“pre-emptive” war
as a foreign policy strategy and then justifies its acts of aggression
as
divinely ordained? Following the US
invasion of Iraq, Joseph Nye, dean of Harvard's Kennedy School of
Government,
remarked in the Washington Post,
“Not since Rome has one nation loomed
so large above the others. Indeed, the word ‘empire’ has come out of
the
closet.” William Kristol, editor of the conservative Weekly Standard,
had no problem with this reclamation of empire. “If people want to say
we're an
imperial power, fine” (as cited in Bookman,
2003, p. A19). This unabashed
hubris
was affirmed by the Bush administration’s foreign policy, which early
on
deployed religious rhetoric to justify war making. Again, some
journalists
embraced this myth of exceptionalism, conflating America’s “destiny”
with
President Bush’s, and by association, with God’s will. Religious
language
framed the “Shock and Awe” campaign, prompting theologian and
best-selling
author Jim Wallis (2003) to rally against
the Bush administration’s
moral
hubris. “America's foreign policy is more than pre-emptive, it is
theologically
presumptuous; not only unilateral, but dangerously messianic; not just
arrogant, but bordering on the idolatrous and blasphemous.”
Bush’s messianic rhetoric also stirred
passionate responses among religious groups. The Associated Press
reported on
February 18, 2006 that representatives of 34 US members of the World
Council of
Churches issued a statement of dissent to the Bush administration: “We
lament
with special anguish the war in Iraq, launched in deception and
violating
global norms of justice and human rights.” The World Council of
Churches includes
more than 350 mainstream Protestant, Anglican and Orthodox churches.
The US
National Council of Churches responded to reports of US prisoner
torture by
noting that these acts violated “the fundamental Christian belief in
the
dignity of the human person.” They rebuked the Bush administration for
enlisting God in “national agendas that are nothing short of
idolatrous.” Even
the Economist opined that in the rush
to war in Iraq, “only one thing unsettles George Bush's critics more
than the
possibility that his foreign policy is secretly driven by greed. That
is the
possibility that it is secretly driven by God…. War for oil would
merely be
bad. War for God would be catastrophic” (“God and American Diplomacy,”
2003, p.
33).
Equally disturbing
is the citizenry’s response to degrading “anti-terror” measures and
civil
rights infringements justified by the “war on terror.” Polls indicate,
for
instance, that a majority of Americans believe that using torture as a
means of
extracting information from suspected terrorists is morally justified
(Fisher,
2005). Thus we find ourselves in the midst of debates about moral
claims that
once seemed unassailable: is torture justified under “certain”
conditions and
for “certain” people? Does the Geneva Convention’s mandate against
“humiliating
treatment” apply to “enemy combatants”? How much humiliation and abuse
legally
constitutes torture?
It should not be
surprising that in this climate right-wing radio personality Rush
Limbaugh
can make light of the Abu Ghraib incidents by comparing the torture to
the
initiation rites of a fraternity. On the May 4, 2004 Rush Limbaugh
Show titled, "It's Not About Us; This Is War!" Limbaugh
deflected
any moral qualms in his audience:
This
is no different than what happens at the Skull and Bones initiation and
we're going to ruin people's lives over it . . . I'm
talking about people having
a good time, these people, you ever heard of emotional release? You
heard of
needing to blow some steam off? (as cited in Media Matters,
http://mediamatters.org/items/200405050003)
Later investigations
of detainee interrogation
practices
would reveal more widespread acts of abuse, such as “regular attacks
that left
detainees with broken bones” (White, 2005).
Declassified accounts from detainees showed that female interrogators
repeatedly used sexually suggestive tactics to try to humiliate Muslim
men held
at military prisons at both Abu Ghraib and Guantanamo Bay, Cuba.
According to
military investigators, detainees claimed that female interrogators
intentionally
violated Muslim taboos, for example, rubbing their bodies against the
men,
touching them provocatively, or pretending to smear them with menstrual
blood.
The fake blood was allegedly used on Muslim men before they intended to
pray
because of their belief that such “contact with women other than their
wives
diminishes religious purity.” A wide-ranging Pentagon report confirmed
the
detainees' allegations. The
Washington
Post reported that the Pentagon’s findings “indicate that
sexually
oriented
tactics may have been part of the fabric of Guantanamo interrogations”
(Leonnig and Priest, 2005,
p. A01).
How do we reconcile
such acts with the nation’s foundational values? For Limbaugh, as for
others who downplayed the sexual humiliation, hoodings, beatings, and
deaths of
those held at Abu Ghraib and Guantanamo, these acts are justified as
long as
“we” are the ones committing them. As
Henry Kissinger reasoned, “In the conflict with radical Islam, they
want to
humiliate us. And we need to humiliate them” (as cited in Woodward, 2006, p. 408).
Neoconservatives
who saw the war in Iraq as a necessary force for good often drew their
support
of such tactics from Raphael Patai’s The
Arab Mind, published in 1954,
which claimed that force is the only thing that Arabs understand and
that
humiliation -- especially sexual humiliation -- is their most
vulnerable
weakness.
In Limbaugh’s response:
...we hear the most
humiliating thing you can do
is make one Arab male disrobe in front of another….Maybe the people who
executed this pulled off a brilliant maneuver. Nobody got hurt. Nobody
got
physically injured. But boy there was a lot of humiliation of people
who are
trying to kill us -- in ways they hold dear.
In 2002 George
W. Bush determined that prisoners of war captured in Afghanistan were
“unlawful
combatants” and therefore had no rights under the Geneva Conventions.
The
prisoners were held in outdoor cages at Camp X-Ray in Guantanamo Bay,
Cuba,
where their heads were shaved and they were forced to kneel, their
eyes, ears
and mouths covered. The shackled prisoners were then filmed being
carried on
stretchers to interrogation sessions. Their humiliation was broadcast
widely
for the world to see. Veterans for Peace, among others, expressed
“grave
concern” that captured U.S. soldiers would be subjected to
“unrestrained,
debasing treatment, in similar disregard of the Geneva Conventions.”
Their concerns were well founded. In March of 2003, five
American soldiers were
captured in the Iraqi city of Nasiriya and their images broadcast on
Iraqi television.
Bush administration officials, news pundits, and many Americans were
outraged.
Donald Rumsfeld charged that by broadcasting the videotape, Iraqis had
violated
the Geneva Convention, since “It's illegal to do things to POWs that
are
humiliating.” U.S. television networks dutifully followed suit by
censoring the
video, even though just a few days earlier network news media had been
awash in
images of Iraqi POWs kneeling at gunpoint before U.S. soldiers. Then in
March
of 2004, four American security contractors found themselves
stranded on a road in Fallujah, a section of Iraq where the Sunni
insurgency
had been particularly active and virulent. Stuck in traffic, the small
convoy
was ambushed by armed men who shot the Americans at point-blank range.
Their
bodies were dragged from the cars by a mob, beaten, mutilated, and then
burned.
Two charred corpses were hung from a bridge over the Euphrates River
and left
on display for the news cameras that would broadcast the gruesome image
around
the world. Iraqi insurgents released their own video of the attack,
claiming
the killings were to avenge the humiliation of Iraqis by US guards at
Abu
Ghraib prison.
America’s ongoing participation in this tit for
tat cycle of
humiliation may well be our Achilles heel in the “war on terror.”
Expressing
her opposition to the invasion of Iraq in 2002, New York Times
columnist Maureen Dowd had argued, “Extirpating
Saddam is about proving how tough we are to a world that thinks we got
soft
when that last helicopter left the roof of the American embassy in
Saigon in
1975” (2002, p. 26). But five years later,
George W. Bush is no longer able to
claim
Saddam, WMD’s, or even democracy as rationale for prolonging the war in
Iraq.
Thus the need to avert humiliation is invoked again, conjured as a
means to deflect questions about negative outcomes or exit strategies.
As one
representative said recently on the floor of the House, “President Bush
is
sending 20,000 more American lives into mortal danger, and spending
$100
million a day just to avoid the humiliation of admitting that his
policy has
been fundamentally flawed from the very beginning” (Woolsey,
2007).
And so it is that long after Vietnam -- long
after Grenada, Libya, Panama, and Gulf I, we Americans find ourselves
cast in a
Sartrean tale of “no exit,” bound to a never-ending story of
humiliation and
war.
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Notes
[1] During World War I, PTSD was known as shell shock,
while the term
combat fatigue became popular during and after World War II. The
American Psychiatric Association (APA) finally recognized PTSD in 1980.
See Rensberger, 1972.
[2] For the politicizing of PTSD, see Young, 1995;
Scott, 1990; Shephard,
2001; and Satel, 2003.
[3] The traditional peasant dress worn by the Viet Cong
became the
trademark of the guerrilla fighters among US soldiers in Vietnam.
[4] See, for example, Daniel J. Flynn’s Why the Left
Hates America:
Exposing the Lies That Have Obscured Our Nation's Greatness (Three
Rivers Press, 2004); or Dinesh D'Souza’s The Enemy At Home: The
Cultural Left and Its Responsibility for 9/11 (Doubleday, 2007).
[5] A notable exception is Senator J. William
Fulbright, who in 1970
remarked, “When President Johnson used to declare that he would not be
the first American President to lose a war, and when President Nixon
warns, as he did on November 3, against ‘this first defeat in American
history,’ they are not talking about the national interest but about
the national ego and their own standings in history.” “Vietnam: the
Crucial Issue.” The Progressive, February 1970.
[6] The number of Iraqi soldiers killed remains a
subject of debate, but
official estimates range between 20,000 and 30,000. The range I note
stems from a report commissioned by the U.S. Air Force in 1993, “Gulf
War Air Power Survey” by Thomas A. Keaney and Eliot A. Cohen, and may
therefore be lower than that reported by other sources. Estimates taken
from US military and nongovernmental sources range from 70,000 to 115,
000.
Biographical
note:
Myra Mendible is Professor and founding faculty at Florida Gulf Coast
University, where she teaches comparative cultural studies. She has
published widely on a number of issues and themes, with her most recent
work focusing on the politics of emotion. Dr. Mendible's current book
project, "Putdowns and Showdowns: American Culture and the Politics of
Humiliation," examines the role that humiliation narratives have played
in shaping American national identity and popular culture.